brought to you by the CHUBB group.

well fuck your coloring book. (allcaps removed)
kanye (removed of the music) is that wonderfully indulgent six-year-old princess we all pretend not to be, except he's a billionaire.

goodbye, google. goodbye, wikipedia.
wolframalpha.

miss bugs.

'I don’t want ugly smart people modeling underwear, just like I don’t want supermodels writing the novels I read or programming my computer software.' via

spike.

terryworld.

you have a sizable listening audience. you apparently know how to please them. anybody given a $400 million contract must know what he is doing.
that's what offends me. you know exactly what you're doing.
ebert.

sometimes time skips.

davin youngs.

grady o'connor.

if I had an album coming out, it would also be called the stimulus package.

underated/unseen 2009:


il divo.



the limits of control.
wanted to like this movie, very much so, but just couldn't.
appreciate the concept, yet enduring the execution is painful.
not a good movie, but still a beautiful one.

on my island home I spent some time with you.

functional, and solid.

plotter drawings from the nineteen sixties.
at dam.

well said.

mayor simpson, junior and senior class champions.

from the jogging.

blogTO will tell you the best of everything. the breadth and depth of their presentation is astounding.

alden cudanin.
via

art basel looks stale.

mr. heyd of danforth was a proud man.

font is terrible. otherwise: well done.

put it on mute and it's beautiful. especially ~2:00 mark. but put it on mute.

brain waves?
my child is only getting wooden blocks and lego.

watching avatar it's pretty clear how much of a debt the movie owes to roger dean. a few others seem to have noticed this too.

icons.
especially for this:

didn't age so well:

single truck open car #325 and #327.

a swedish love story.

come back summer.

also, an aside:
why is so much contemporary photography so stagnant, vapid, and shallow? it's easy to take interesting photographs of beautiful girls. it's the easiest thing in the world. ryan mcginley and the mid/late 1990s vice real-world style has just ruined a whole generation of photographers. take your camera everywhere, but taking photographs of the parties you go to does not equal art. there is already a cobra-snake; you're ten years late. having a hand-held flash and a two thousand dollar camera will make all of your photographs aesthetically pleasing, but really, they're not saying anything to anyone but yourself. build a style, tell a story, shoot on film again; struggle to reveal something hidden: figure it out as you go. having a dozen topless photographs is not a portfolio.
tirade over.

energy destroyed in braking.