mike sacks

evoke + maki _ ottawa techwall circa 2005

moustache collage heaven.

"He is so very incorrect, except in this: he gave the century a way of making literary art that dealt with the remarkable violence of our time. He listened and watched and invented the language - using the power, the terror, of silences - with which we could name ourselves." frederick busch, nytimes _ reading hemingway without guilt

"In the late summer of that year we lived in a house in a village that looked across the river and the plain to the mountains. In the bed of the river there were pebbles and boulders, dry and white in the sun, and the water was clear and swiftly moving and blue in the channels. Troops went by the house and down the road and the dust they raised powdered the leaves of the trees. The trunks of the trees too were dusty and the leaves fell early that year and we saw the troops marching along the road and the dust rising and leaves, stirred by the breeze, falling and the soldiers marching and afterward the road bare and white except for the leaves." _ Ernest Hemingway A Farewell to Arms

“Hemingway’s words strike you, each one, as if they were pebbles fetched fresh from a brook. They live and shine, each in its place. So one of his pages has the effect of a brook-bottom into which you look down through the floating water.” _ Ford Madox Ford

* self promotions dept

joseph müller-brockman

justin james reed

fucking breathless.

kotama bouabane

tentacle creature void.



michel de broin

prodigy (mobb deep)
shaun micheals

* self promotions department

color flip

block.

martian moon phobos, in stereo.
sunset on mars.
from nasa

denver airport _ december 2006

strip-mining in the ozarks



pit mines in russia